15.09.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (8+5) mat en 2 |
Barry Peter BARNES 1er prix The Problemist 1958 Essais: 1.Cb7? [2.Tç5#] Tç8! 1.Ca6? [2.Tç5#] Tç8! 1.Cé4? [2.Tç5#] Fd6! 1.Cd3? [2.Tç5#] Fé3! Clé: 1.Cé6! [2.Tç5#] 1...Tç8 2.Cxf4# 1...Fé3 2.Céç7# 1...Fd6 2.Td2# |
08.09.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (9+10) mat en 2 |
Erkki WIRTANEN 1er prix Wrobel Memor. T. 1959 Jeu apparent: 1...ç4 2.Dxd5, Txd5# 1...Cb6 2.Cé6# 1...Cé3 2.Dé4# Essais: 1.Db3? [2.Dç4#] Dd3! 1.Dxa6? [2.Dç4#, Cç6#] Cb6! 1.Cç6+? Txç6! Clé: 1.Db5! [2.Dç4#] 1...Cb6 2.Dxç5# 1...Cé3, Dd3 2.D(x)d3# 1...Txé5 2.Fxé5# |
01.09.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (8+9) mat en 2 |
Vladimir EROHIN, Jurij ANTONOV 1er prix Brovari 1987 Jeu apparent: 1...çxb6 2.Dxb6# 1...Fé5/f4/é7+ 2.C(x)é7# 1...Fxç5 2.Ca5# 1...d4 2.Dg2# 1...Fç2/d1/b5 2.D(x)b5# Essais: 1.Db4? [2.Ca5, Dxa4#] d4! 1.Da3? [2.Ca5, Dxa4#] çxb6! 1.Dç3? [2.Ca5#] Cb3! 1.Dd4? [2.Ca5, Dxa4#] çxb6! 1.Df6? [2.Cé7#] Cxg8! Clé: 1.Dé5! [2.Dé8#] 1...çxb6 2.Dxd6# 1...Fxé5/é7+ 2.C(x)é7# 1...Fxç5 2.Dxç7# 1...d4 2.Ca5# |
25.08.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (9+7) mat en 2 |
Ferenc FLECK Fleck-thema T. 1934 Jeu apparent: 1...çxd5 2.Dç7# Clé: 1.Cç3! [2.Dç7#, Dd4#, Fd4#, Fç7#] 1...ç5 2.Fç7# 1...Ff3 2.Dd4# 1...Fd5 2.Dç7# 1...Ff5 2.Fd4# Thème FLECK: Après le coup-clé, les Blancs ont plusieurs possibilités de faire mat (ici ils en ont 4). Mais à chaque réponse des Noirs, seulement une de ces menaces fait mat; les autres possibilités sont exclues par le coup Noir. |
18.08.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (10+10) mat en 2 |
Michail BARULIN Sachmatny Listok 1930 Jeu apparent: 1...Dé5 2.T6d4#, T3d4# 1...Th7/h8/h5/h4/h3/h2/h1 2.Dxg6# 1...Cgé5 2.T3d4# 1...Cçé5 2.T6d4# Essais: 1.Dxé7+? Cxé7! 1.Cç6?, Ff6?, Fg7? [2.T6d4#, T3d4#] Cxd6! Clé: 1.Ch3! [2.Cxg5#] 1...Th5/xh3 2.Dxg6# 1...Cgé5 2.T3d4# 1...Cçé5 2.T6d4# |
| Après 1.Ch3 Cgé5 le Td6 est cloué par le Th6; donc T6d4# n'est pas possible, seulement T3d4#. Après 1.Ch3 Cçé5 le Td3 est cloué par le Fé2; donc T3d4# n'est pas possible, seulement T6d4#. Cette méthode pour éviter un "dual" (deux possibilités de donner du mat) s'appelle le thème BARULIN. |
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11.08.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (7+8) mat en 2 |
Joseph C. WAINWRIGHT 1er prix The Vanderer 1886 Essais: 1.Fb4/ç5? [2.é3#] ç3! Clé: 1.Fd6! [2.é3#] 1...ç3 2.Df7# 1...d3 2.éxd3# 1...éxf3 2.é4# 1...é3 2.Da8# 1...Txf3 2.éxf3# 1...Txh2 2.Da3# Remarque: il me semble que le pion h4 est inutile. |
04.08.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (4+3) mat en 3 |
Karel Peter TRAXLER 2ème prix Svenska Dagbladet 1928 Jeu apparent: 1...é5 2.Txf5 [3.Tf8#] Ré8/d7 3.Tf8# Clé: 1.Fg4! [2.Td4+ Ré8 3.Fh5#] 1...Ré8 2.Fh5+ Rd8/d7 3.Td4# 1...Rd7 2.Td4+ Ré8 3.Fh5# 1...é5 2.Txf5 [3.Tf8#] Ré8/d7 3.Tf8# 1...fxg4 2.Rç6 [3.Tf8#] Rç8/é8 3.Tf8# |
28.07.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (10+3) mat en 2 |
Francisco SALAZAR 2ème prix Die Schwalbe 1968 Essais: 1.Dxg6? [2.Dxf5#] 1...Fg4/h3 [a] /é4 2.D(x)é4# [A] 1...Fxd3 [b] 2.Dxd3# [B] Mais 1...Fxg6! 1.Cé5? [F] blocus 1...Fg4/h3 [a] 2.C(x)g4# [C] 1...Fxd3 [b] 2.Dg2# [D] 1...Fxé6 [c] 2.Cf3# [E] Mais 1...Fé4! Clé: 1.Dg2! [D] [2.Da2#] 1...Fxd3 [b] 2.Cé5# [F] 1...Fxé6 [c] 2.Dg5# [G] |
21.07.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (5+3) mat en 4 |
Vokjo BARTOLOVIC Problem 1954 Clé: 1.Rh6! blocus 1...Txé6+ 2. Rh7 [3. Dg1#] 2...Tg6 3.Rxg6 ad lib 4.Dg1# 2...Th6+ 3.Rxh6 ad lib 4.Dg1# 2...Té1 3.Fg1 [4.Dh2#] Txg1 4.Dh3# 1...Tf1 2.Rh7 blocus 2...Té1/d1/ç1/b1/a1 3.Fg1 [4.Dh2#] Txg1 4.Dh3# |
14.07.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (7+7) mat en 2 |
Barry ANDRADE Observer 1922 Jeu apparent: 1...b5 2.Cç5# 1...Cb8/d8/a7/é7/a5/é5/b4 2.T(x)é5# 1...d3 [a] 2.Caç3# [A] 1...f3 [b], Cf3 [d] 2.Df5# [B] 1...Cd3 [c] 2.f3# [C] 1...Cç2/g2 [e] 2.d3# [D] Essais: 1.Ré6? blocus Cd8+! 1.Tb5? blocus h5! 1.Cxb6? blocus 1.Cç1? blocus, 1.Cg1? [2.Df5#] d3! 1.Dg3? blocus fxg3! 1.f3+ Rd3! Clé: 1.Db3! blocus 1...b5 2.Cç5# 1...Cb8/d8/a7/é7/a5/é5/b4 2.T(x)é5# 1...d3 [a], Cd3 [c] 2.Dd5# [F] 1...f3 [b] 2.Th4# [G] 1...Cf3 [d] 2.d3# [D] 1...Cç2/g2 [e] 2.f3# [C] |
07.07.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (5+3) mat en 2 |
Jurij ANTONOV Sachove Umenie 1975 Jeu apparent: 1...Tb3+ 2.Rxb3# 1...Tb4 2.Rxb4# 1...Tç2+ 2.Rxç2# 1...Txd2 2.Rxd2# 1...Tb1 2.Cç2# Essais: 1.Dé1? blocus Txd2! 1.Cç2+? Rb1! Clé: 1.Fb3! blocus 1...Txb3+ 2.Rxb3# 1...Tç2+ 2.Rxç2# 1...Txd2 2.Rxd2# 1...Tb1 2.Cç2# |
30.06.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (11+11) mat en 2 |
Byron ZAPPAS 1er Prix Israel Ring Ty 1978 Jeu apparent: 1...Fé6 2.Fé4# 1...bxç6 2.Cb6# 1...é6 2.Cf6, Fé4# 1...é5 2.Cf6# 1...Fç1/é3/f4 2.Cxb4# Essais: 1.Dxg8?+ Txg8! 1.Dh6? [2.Fé4#] b6! 1.Dxh4? [2.Dh1#] gxh4! 1.Df6? [2.Fé4#] éxf6+! 1.Cf8? [2.Fé4#] Txf8! 1.C7ç5? [2.Fé4#] é5! 1.C3é5? [2.Cb6#] Ff4! Clé: 1.C3ç5! [2.Fé4#] 1...Fh7 2.Fé6# 1...é5 2.Cf6# 1...dxç5 2.Dé5# |
23.06.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (3+4) mat en 3 |
Johann SCHEEL De Maasbode 1937 Clé: 1.Dç6! [2.Db6+ Ra8 3.Ff3#; 2...Rç8 3.Fg4#] 1...Ra7 2.Dç7+ 2...Ra8 3.Ff3# 2...Ra6 3.Fxç4# 1...Fd8 2.Ff3 Ra7 3.Db7# |
16.06.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (10+7) mat en 2 |
Venelin ALAIKOV 1er Prix Sahmat 1982 Jeu apparent: 1...Fç4/a4/ç6 2.Fg3# 1...Fd2/b2/a1/é5/f6/xg7 2.D(x)d2# Essais: 1.Ff5? [2.Cé6#, Tf2#] gxf5! 1.Dxb5? [2.Fg3#] axb5! 1.Rg2? [2.Tf3#] Fxd7! 1.Rh3? [2.Cé6#] Fxd3! Clé: 1.Cé5! [2.Cxg6#] 1...Rxé5 2.Fg3# 1...Fxé5 2.Dd2# 1...Fxd3 2.Cé6# 1...Fxd7 2.Tf3# |
09.06.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (4+3) mat aidé en 2 |
Nils Gustav Gerard VAN DIJK Probleemblad 1958 a) Diagramme: 1.é4 Ff4 2.Ré2 Fa6# b) Diagramme avec le Tour blanc en f2 au lieu de f1: 1.ç5 Ff5 2.ç4 Fa7# c) Diagramme avec addition d'une Dame noire en h8: 1.é4 Fa6 2.Dd4 Ff4# |
02.06.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (6+3) mat en 2 |
Jan VASTA Narodni Politika 1912 Jeu apparent: 1...Fh1/d3/ç2/b1 2.D(x)h1# 1...g2 2.Dé1/f2/h2# Essais: 1.g6? [2.Th5#] Fxf5! 1.Db6? [2.Dh6#] Fç6! Clé: 1.Dd4! blocus 1...Ff3/d3/ç2/b1 2.Cg6/xf3# 1...Fg2/h1/d5/ç6/b7/a8 2.Cg6# 1...Fxf5 2.Cf3# 1...g2 2.Df2# |
26.05.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (10+6) mat inverse en 3 coups |
Gerald Frank ANDERSON 3ème Prix British Chess P.F. 1930 Clé: 1.b4! blocus 1...çxb3e.p. 2.Tb4+ Rç5 3.C3a2+ bxç2# 1...éxf3 2.Da2 blocus Rxç3 3.Dd2+ Txd2# 1...é3 2.C3é2+ Txé2 3.Dd2+ Txd2# |
19.05.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (11+8) mat en 2 |
Norman MACLEOD 1er Prix British Chess Federation 1973 Jeu apparent: 1...Df2/é2/d2/ç2/b2/xa2/h2/h1/f1/f3 2.Cxg5# 1...Td8+ 2.çxd8C# 1...Tf8 2.Txf8# Essais: 1.Cb4+/b6+/é7+/f6+? Dxa2! 1.Dé5? [2.Dé6/é7#] Fxé5! 1.Txg8? [2.Tf8#] Rxg8! Clé: 1.Db2! [2.Cç3#] 1...Tf8 2.Txf8, Cé7/b4/ç3# 1...Té8 2.Cé7# 1...Td8+ 2.çxd8C# 1...Tç8/a8 2.Cé7/b4/ç3# 1...Tb8 2.Cb4# 1...Txh8, Th5/g4/g3, Dg3/g4/g1/xh3, Fxb2 2.Cç3# 1...g6 2.Cb6# 1...Tg6 2.Cf6# 1...Dh2/h1/f2/f3 2.Cç3, Cxg5# 1...Dé2/d2/ç2/xb2/f1 2.Cxg5# |
12.05.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (6+3) mat en 3 |
Marian WROBEL 1er Prix Berner Tagwacht 1947 Essais: 1.Tb8? [Fb5, Cb2#] Fxb8! 1.Tç8? [2.Tç3 ad lib 3.Ta3#] Fç5! 1.Td8? blocus Fd4! 1.Tf8/g8/h8? blocus Fb8! 1.Rb2? blocus Fd4+! 1.Rb1? [2.Fç4 3.Txa7#] Rb3! Clé: 1.Té8! blocus 1...Fb6 2.Tb8 blocus 2...Fç5/a5/ç7/d8 3.Fb5, Cxç5/b2# 2...Fd4 3.Fb5# 2...Fa7 3.Fb5, Cb2# 1...Fç5 2.Té5 blocus 2...Fd4/a7/d6/é7/f8 3.Fb5, Ta5# 2...Fxb4 3.Cb2# 2...Fb6 3.Fb5# 1...Fd4 2.Té4 blocus 2...Fç3/a1/é5/f6/g7/h8 3.Cç5# 2...Fb2/ç5 3.Cç5/xb2# 2...Fb6/a7 3.Cb2# 1...Fb8 2.Té4 [3.Cç5, Cb2#] 2...Fd6/a7 3.Cb2# 2...Fé5 3.Cç5# |
04.05.2001![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() (11+12) mat en 2 |
Jacob HARING 1er Prix Key Stipul. Tt 1972 Essais: 1.Txé7? Cxç6! 1.Cd8? Cf4! 1.Cf8? Cf4! 1.Cç5? Cf4! 1.Cg5? Cxç6! 1.d4+? Dxd4! 1.Df3? Th4! Clé: 1.Céd4! [2.Txé7#] 1...Cxç6 2.Cxç6# 1...é6 2.Txé6# 1...Db7 2.Cb3# 1...Df2 2.Cé2# 1...Cf4 2.Cf3# |
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